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"Oh, Mona, what courage you showed! Just imagine staying in the library when you found yourself face to face with a person you never expected to see, and in the dead of night, with every one sound asleep! In your case I should either have fainted or rushed back to my bedroom again as fast as my feet could carry me; and I believe," says Dorothy, with conviction, "I should so far have forgotten myself as to scream every inch of the way." Some stories of this kind are these: Kŭt-o-yĭs´ spoke to one of the people who was alive and asked, "What is that hanging down above us?".

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"Where is Mona?" As he reaches the broad stream that divides him from the land he would reach, he pauses and tries to think of any decent excuse that may enable him to walk with a bold front up to the cottage door. But no such excuse presents itself. Memory proves false. It refuses to assist him. He is almost in despair. At first the light of the lamp—so unlike the pale transparent purity of the moonbeams—puzzles her sight; she advances a few steps unconsciously, treading lightly, as she has done all along, lest she shall wake some member of the household, and then, passing her hand over her eyes, looks leisurely up. The fire is nearly out. She turns her head to the right, and then—then—she utters a faint scream, and grasps the back of a chair to steady herself. "Very well: show him in here," says Mona, very distinctly, going on with the printing of her butter with a courage that deserves credit. There is acrimony in her tone, but laughter in her eyes. While acknowledging a faint soreness at her heart she is still amused at his prompt, and therefore flattering, subjection..